Old manuscript illustration line art registration#

Images from 80 important Arabic manuscripts and maps. Junius 1, “the Orrmulum”, a 12th century book of verse written in phonetic Middle English, and Exeter College’s MS 47, a psalter owned by both Elizabeth of York and Katherine of Aragon. Ashmole 1511, “the Ashmole bestiary”, a richly decorated early 13th century English bestiary MS. The priorities and interests of such collectors have determined the manuscripts surviving in the Bodleian as much as their medieval creators.ĭigitized items include MS. The 19th and early 20th centuries brought further opportunities for acquisitions, notably of books belonging to Francis Douce and Matteo Luigi Canonici. The collection was further enhanced by donations through the 17th and 18th centuries, such as those of William Laud, Sir Kenelm Digby, and Elias Ashmole. Many manuscripts originated from the dissolved monasteries of Great Britain. Some were lost with the destruction of Duke Humfrey’s Library in the 16th century, but Sir Thomas Bodley's re-establishment of the university library in 1602 brought in more manuscripts from around the world than the medieval university itself possessed. The Bodleian’s collection of medieval manuscripts originates with the first books that the University of Oxford acquired. Images from over 2,500 medieval manuscripts from the Bodleian and Oxford colleges, with 500 fully digitized items. ĭigital Bodleian also includes the Ashmolean Museum’s Arthur Evans Papers, and post-1800 manuscripts from Oxford college libraries, including Christ Church's Lewis Carroll collection. The modern holdings (1801-) provide excellent sources for British political, diplomatic, social and economic history the politics, economics and social development of African and Commonwealth countries during the colonial and post-colonial period international development and international relations British literature science and medicine and art history and visual culture.Īround 100 modern manuscripts and archives from the Bodleian have been digitized to date, including Mary Shelley's Frankenstein drafts 30 volumes of William Godwin's diary an important album of photography by Julia Margaret Cameron (1815-1879) and T.E. The Bodleian holds one of the world’s largest and most wide-ranging collections of archives and manuscripts.

Old manuscript illustration line art registration#

The Saatchi Gallery, London is registered as a charity with registration number 1182328, and its registered offices are in Duke of York's HQ, King's Road, London, SW3 4RY, United Kingdom.Manuscripts and archives from the year 1801 to the present day. Our educational programmes aim to reveal the possibilities of artistic expression to young minds, encourage fresh thought and stimulate innovation.Īs a charity, the organisation seeks to be self-funded and reinvests all revenue into its core activities to support access to contemporary art for all. The Gallery presents curated exhibitions on themes relevant and exciting in the context of contemporary creative culture. Saatchi Gallery seeks to collaborate with artists in an open and honest manner with a primary aim of introducing their work to wider audiences. We strive to present projects in physical and digital spaces that are engaging, enlightening and educational for diverse audiences.

We are committed to supporting artists and rendering contemporary art accessible to all. Saatchi Gallery exists as a registered charity to provide an innovative platform for contemporary art and culture. In 2019 Saatchi Gallery became a registered charity and begun a new chapter in its history. The Gallery acquired a strong reputation for introducing artists who would later gain worldwide recognition. Exhibitions which primarily drew upon the collection of Charles Saatchi, led to Saatchi Gallery becoming a recognised authority in contemporary art globally. Since 1985, Saatchi Gallery has presented contemporary art exhibitions showcasing the work of emerging artists.